Input signals can be processed in pairs before being sent to the delay lines. The “Transient” controls suppress or boost spikes. The two non-resonant input filters can reduce the frequency range or even split the frequencies into two stereo bands with independent delay settings (set In 1+2 to Lowpass and In 3+4 to Highpass with the same Cutoff value).

Independent delay modes: synchronized, free, or even controlled by MIDI notes.

The dark field below each knob is a modulation source selector, and the amount of modulation is controlled by the “pip” which appears at the top right of the knob.

Resonant filters can be placed in various positions within the signal path. On offer here: 2x low pass, 2x high pass, band pass, band reject, allpass (phaser).

This is where you can specify how the delay lines feed into each other: The “User Matrix” option lets you freely route signals between all 4 delay lines.

The large control at the top adjusts the overall amount of feedback. At the bottom of the panel are the output level controls, allowing for normal and inverted polarity.

Pre-feedback processing. On offer here: limiter, bit crusher, phaser, frequency shifter, lowpass/highpass filter, granular pitch shifter, diffusor (reverb-ish).

The final polish! Peak or RMS mode compression. In PeakComp mode you can compress one pair of channels using a sidechain from the other.